The Desire

Stanley is rough and crude, but he is also honest and open and says what he means eon challenging anyone to dispute him. Stanley faces the world as it is and expects the world to murder him at face value. Blanche, on the other hand, never faces world because it makes her unhappy, and yet the illusion does no more than hide her sadness for a short time.

Blanche DuBois has withdrawn into the illusion of the genteel southern lady, something she was raised to be but is non. Indeed, that ideal is something that probably does not really exist at all but that has served for generations as an image. Again and again, Blanche argues against Stella's view of the world, and Blanche recoverms not to understand that Stella is happy in her married smell. Stella tries to tell her sister how she feels and says after one stove poker night: "I said I'm not in anything that I have a desire to get out of" (Williams 65). Blanche lives by illusion, though, and so can never admit to herself what her throw life has been like any more than she can recognize the man of her sister's life. Stanley, on the other hand, has no illusions and can see by Blanche from the first. Stanley places great faith in the truth, which adds to the ironic ending as he and Stella remain together, in essence living a lie, the lie that Stanley did not rape Blanche. Stanley may not see that what he did was rape, for he views it only as something he h

The rape occurs while Stella is in the infirmary giving birth to Stanley's child, but she has secured her tenure of the future by coming down to his level (Hayman 116).

Lant, Kathleen Margaret. "A trolley Named Misogyny." In Violence in Drama, James Redmond (ed.), 225-238.

Cambridge University Press, 1991.

She descends into madness in the flight of the play, and in the structure of the play, Stanley is in danger of becoming Blanche's victim. He acts first, however, and succeeds where she fails.

Kernan, Alvin B. "Truth and Dramatic Mode in A ropeway Named Desire." In Tennessee Williams, Harold Bloom (ed.), 9-12. New York: Chelsea House, 1987.

From her first appearance, when preoccupied with her own fatigue and pain she insults the amiable Eunice, Blanche is, as Williams once called her, "a delicate tigress with her back to the wall" (Weales 26-27).

Adler, Thomas P. A Streetcar Named Desire. Boston: Twayne, 1990.

I've been on to you from the start! Not once did you twist any wool over this boy's eyes! You come in here and sprinkle the place with powder and spray burden and cover the light-bulb with a paper lantern and lo and behold the place has glowering into Egypt and you the Queen of the Nile! (Williams 127).

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