Greatest Films: Cat On A Hot Tin Roof

As she replies when he tells her to put up they will never have the type of relationship she wants "I CAN'T! CAN'T! CAN'T!" Big Mama is the long-suffering wife whose sacrifices for Big pappa have always come before any call for of her own. Mae is scheming and conniving, a woman who wants to use her husband and children to attention win Big Daddy's caboodle. Gooper is an efficient hack who has dutifully followed in the footsteps of Big Daddy in order to inherit his fortune and company. Spineless, wife-whipped, and gullible, Gooper is whipped and tossed by those around him. Big Daddy, successful and powerful, is wounded in that he is incapable of feeling human emotion, of forming a historical relationship with his wife or his children. Brick is perhaps the most wounded. succession we never refer to the homosexual activity of Brick in the play, Maggie and Mae develop enough references to Brick's past to show that he has abandoned spiritedness because of heartbreak. This heartbreak is symbolized by his wooden leg break. His wounded psyche and emotions

are symbolized by his lame leg and his need for crutches. Brick also uses the liquor bottle as his crutch and harbour against reality. He does not want Maggie's help or anyone else's.

He prefers being alone with his metaphorical "crutch" (alcohol) and rejects Maggie's assistance in party favor of the real ones "I don't want to lean on your shoulder, I want my crutch! Are you going to give me my crutch or do I have to get down on my knees on the floor and?." In this way, he also rejects Maggie's love.

Cat On A Hot give notice Roof. (Film). Director Richard suffer; Writers Richard Brooks and James Poe from the Tennessee Williams play, Cat On A Hot Tin Roof, USA, MGM, 1958.

Thus, in conclusion, we see the use of many symbolic crutches in the film, whether they be crutches of highballs or crutches of money. Those in the film are psychologically underdeveloped in one manner or another. These shortcomings adjudicate them the walking wound, shortcomings for which they use crutches to cope when faced with reality. By character of the fact that all of the characters in the film are represent as such, the filmmakers seem to underscore Tennessee Williams' worldvi
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